Today I am featuring a post from Krish Mayani, who blogs at https://theconfessionsofarandomblogger.com/
His subject is the abusive control known as ‘Gaslighting’, and he explains it with reference to the film of that name.
WHAT IS GASLIGHTING?
So by now you all probably know my tradition of sitting up until 2 a.m. every night watching trashy reality shows and true crime documentaries with my mom. However, the other night we decided to be classy and watch something more sophisticated for a change.
So instead, we decided to watch ‘Gaslight,’ a 1944 psychological thriller starring Ingrid Bergman, Charles Boyer, and Angela Lansbury.
A very long Google search later, I discovered that the psychological manipulation term ‘gaslighting’ actually originates from this movie! I don’t know about you, but I think it’s so incredibly cool that an actual clinical psychology term originates from a Hollywood, Golden Age, romantic thriller.
I was so incredibly captivated by the film’s plot and cognitive themes, that I just knew I had to write a blog post about it!
Today, I’m going to be discussing and analysing the film, as well as talking about the psychology of gaslighting and how you can protect yourself against it. However, I am not a therapist or a psychologist, and therefore everything I will be speaking about is from my own personal opinion, experiences and research.
Fourteen year old Paula Alquist lives with her aunt Alice Alquist, a renowned opera prima donna in a quaint London square. Paula’s mother died when she was very young, with Alice being her only surviving family.
That is, until Alice is murdered in the middle of the night during a robbery gone wrong. The perpetrator was in search of her famous, valuable jewels; until the robbery was interrupted by Paula awakening in the middle of the night.
The murderer is never found.
Now truly alone, Paula is sent to Italy to become an opera singer, just like her aunt.
The film then fast-forwards a couple of years to a now adult Paula (Ingrid Bergman). After a 2 week whirlwind romance with Gregory Anton (Charles Boyer); a man she has just met; she marries him and he convinces her to move back to the London townhouse that her aunt left her; the site of her murder just a few years ago.
However, as soon as they arrive at the house, Paula begins to notice a slew of strange occurrences. Picture frames taken off the wall and hidden, sentimental possessions that suddenly and randomly go missing, and most importantly, gas lights that dim randomly without any apparent interference with the house’s gas supply.
Gregory slowly begins to convince her that she is the one removing the picture frames. That she simply loses their precious possessions because of her growing irresponsibility, and perhaps most maddening- that she is imagining the dimming of the gas lights.
Is she careless? Is she a kleptomaniac? Is she simply insane? What other explanation is there? Why would anyone lie about the sound of footsteps late at night and picture frames being removed without any explanation? There’s simply no motive. Right?
But thank goodness for her husband Gregory! She may be slowly but surely losing her mind, but at least she still has her husband. At least he’s there to help her. Her constantly replenishing pool of “sanity.” In fact, she needs him doesn’t she?
Paula is slowly being psychologically terrorised and driven insane by her ominous menace of a husband, all the while being convinced that he’s doing her the biggest of favours. That he is simply a blessing for ‘tolerating’ her many many faults and mental incompetencies.
The question on everyone’s minds- will she be able to fight a psychological battle with her husband that she doesn’t even know she is in? However, the more important question here is why? Why is he doing this to her? There is absolutely no reason to do such a cruel thing to a person, your wife much less.
Is there a reason?
There seems to be something far more sinister at play here.
PAULA’S PSYCHOLOGICAL ABUSE
Soon after their arrival at the townhouse, Gregory presents Paula with a brooch, a valuable family heirloom that he claims has been in his family for years. First, he tells her the story of how the brooch “belonged to my mother, and before that to her mother, and now it belongs to you.”
He then lectures her about the importance of not losing it, as she is “inclined to lose things.” He then promptly steals it back from her, leaving her with the gut-wrenching feeling that she has indeed lost the brooch. Not only was he right about her tendency to lose things, but he was also so understanding when she told him.
However, as picture frames begin to disappear from the walls, with them later being found by Paula, he begins to berate her for her kleptomaniacal tendencies. She has no memory of ever taking the pictures of the walls- why would she? However, who else could it be? The question she begins to ask herself is no longer if she did it. But why she did it. She has no memory of ever taking them off the walls, so why is she subconsciously stealing the picture frames?
Gregory makes elaborate and extensively-detailed plans to go to the theatre, but just before they leave, Paula discovers a new facet of her ‘mental illness,’ and is forced to stay home. She believes that she has ruined their night.
However, one night, Paula is invited to a musical concert by old friends of her aunt, and decides that she absolutely must get out of the house, even just for a night, even if she must go alone. However, Gregory decides that he must accompany her.
After a nervous breakdown at this public social event, caused by yet another one of Gregory’s tricks, he convinces her that she is not “well” enough to be in public anymore, effectively isolating her from the already extremely small social circle she has around her.
The following events only escalate in psychological torture and abuse. He tells her that objects in her hands are not really there. He tells her that her mother died in an insane asylum, paralleling her current ‘symptoms,’ and later threatens to have her institutionalised.
He constantly reprimands her for her behaviour, asking her why she lies, steals, and claims to see things that aren’t there without reason, leading to her desperately trying to know the answers to these questions herself.
If not bad enough, as the gas lights constantly flicker (he switches on the lights in the attic), he convinces their maid to lie to Paula as well, telling her that she is seeing things.
An intricately planned descent into insanity and paranoia; and for what? I’m not going to tell you why. Watch the film! I’ve given you enough spoilers!
WHAT IS GASLIGHTING?
Gaslighting (noun)- is an abusive psychological manipulation tactic that when planting seeds of doubt (using denial, misinformation, misdirection, and contradiction amongst other techniques) in the victim’s mind, can make them question their own memory, judgement and perception; severely altering their sense of reality.
As we saw in this context, Gregory gaslights (verb) his bride in an attempt to gain access to her house. He manipulates certain elements of her environment, which makes her question her own sanity by distorting her reality. When Paula asks her husband to verify her perception of these changes, he insists that it’s all in her imagination. he then isolates her from the world and prevents her from having outside communication, making her dependence on him even stronger.
Make no mistake, gaslighting isn’t limited to romantic relationships. It can and has been used in varying degrees of extremity in politics, friendships, parent-child relationships, and even professional workplaces.
THE EFFECTS OF GASLIGHTING
1. THE VICTIM BEGINS TO DOUBT THEIR OWN THOUGHTS
The gas-lighter has distorted the victim’s reality to such a great extent that they can’t trust their own memory, judgement and perception of the world around them.
2. FEAR AND SILENCE
Every time the victim voices their opinions or view of a situation, they are convinced that they are wrong, and that they might even need professional psychological treatment.
This not only leads to fear- what is real and what is not? However, it can also lead to repressed thoughts and opinions. If every time you speak, you are convinced that you have viewed a situation wrongly, you later convince yourself that you should just keep your thoughts to yourself, lest you further ‘upset’ your gas-lighter.
The victim is now completely and utterly dependent on their gas-lighter- a source of reason and sanity. So, either as another manipulation tactic or by internal revelation, the victim is slowly isolated from their friends and family. The victim is convinced that the outside world wouldn’t understand- they would be judged, or worse, pitied.
However, when feelings of isolation and entrapment later begin to seep in, the victim now has no one left to rely on, apart from their abuser. This ensures that the gas-lighter remains in power. There is no one left to rescue the victim.
4. DECISION MAKING ABILITY
The victim has now been convinced that they are insane.
They can no longer trust their own judgement. Therefore, even the smallest of decisions, like what shirt to wear have to be approved by their abuser. As their decision-making ability dwindles, the gas-lighter now has full control.
HOW TO EXTINGUISH GASLIGHTING
I’m sure I know what you’re thinking right about now. “Gaslighting sucks be careful.” Okay! However, what do you do if you’re already in this situation? How do you escape? For lack of a better word, how do you extinguish the gas light?
STEP 1- RECOGNITION
Gaslighting depends on secretly distorting the victim’s reality. However, it’s very difficult for someone to alter your perception of reality if you are aware that this is happening to you. Before accusing someone of gaslighting you, first make sure that the situation is actually gaslighting. It isn’t always so easy to recognise.
Try to find repetitive patterns of undermining, contradiction, manipulation and deception in this particular circumstance. What is the intention behind these tactics? Is it really gaslighting, or are they just voicing their opinion? Do they care about you, or do they want to control you? Find the motive.
STEP 2- EVIDENCE
Now that you know that you are being gaslighted, it’s time to collect evidence. Not only are screenshots, pictures, and written accounts helpful for legal purposes; if the situation is extreme; but it can also help reinforce your view of the situation.
It’s sort of like “retracing your steps” in a way. Just because you now know that you are being manipulated, doesn’t make you immune to the effects of it. Every time your view or outlook of a situation is altered or even flat out denied, you have your own evidence to look back on if you need the mental reinforcement.
STEP 3- DEVELOP YOUR OWN SUPPORT SYSTEM
As we spoke about earlier, one of the main manipulation tactics of a gas-lighter is isolation. Both so that you can’t escape their control, and so that you can’t have your outlook and version of events authenticated.
However, and I once again say this only because I don’t necessarily know the extent of the situation, I would also suggest figuring out your finances as well. Sure, family and friends are an amazing support system. However, we can’t just ignore the financial aspect of it as well.
Money is important. If you have to, you need to be able to escape this abusive situation at any given time.
Can you imagine going through all the work to finally discover that you’re being gaslighted, only to realise that you still have to rely on the abuser for financial support?
Thank you for reading! Especially if you managed to read through all that!
Let me know if you’ve ever seen this movie, and if you’ve ever had an experience being gaslighted by a friend, romantic partner, parent or even at work.
You can check out my last few posts here:
World Poetry Month- The Second Issue
My Irrational Fears
World Poetry Month- The First Issue
Borrowed Poems From An Anonymous- ‘Destiny’ and ‘Today?’
Until Next Time.