August Sander (1876-1964) was the most significant of German photographers in the first half of this century. From 1910 until 1934, he vigorously pursued a visual documentation project: “Citizen of the 20th Century.” His ambitious portrait series was intended to make viewers aware of the social and cultural dimensions as well as the stratifications of real life.
During military service, August Sander was an assistant in a photographic studio in Trier; he then spent the following two years working in various studios elsewhere. By 1904 he had opened his own studio in Linz, Austria, where he met with success. He moved to a suburb of Cologne in 1909 and soon began to photograph the rural farmers nearby. Around three years later Sander abandoned his urban studio in favor of photographing in the field, finding subjects along the roads he travelled by bicycle.
The performers of a travelling circus.
A small brother and sister, in their best clothes to be photographed.
A smartly-dressed young Jewish man.
A young woman modestly dressed, her hair tightly braided.
Child, dog, and bicycle. Taken in a rural district.
A modern artist, posing in front of her work in progress.
A faming family with their oxen.
This is a bricklayer’s labourer, carrying bricks in a frame.
The passing nun was happy to pose for him.
A stern looking man on a deserted city street.
This father brought his sons to be photographed with him. They look undernourished.
Children in the countryside with a prize sheep.
Serious young boys, immaculately dressed.
A working-class woman with her baby.
The farmer sowing seed in his field.
A young woman captured at her window.
Two sisters, possibly twins.
This man is living on the city streets, but is still quite smartly-dressed.
Three sisters on a city corner.
Wonderful photos of an era long gone! Thanks, Pete!
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Glad to hear you enjoyed them, Jill.
Best wishes, Pete.
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I love the funny looking photography with the sheep in the countryside. š xx Michael
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The people of your heimat, Michael. š
Best wishes, Pete.
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Germany in it’s past. Thanks for sharing, Pete! xx Michael
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Reblogged this on NEW BLOG HERE >> https:/BOOKS.ESLARN-NET.DE.
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I find the farmer sowing seed in his field as the most interesting. It makes me think of his work in a day.
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Hard work, with little mechanisation at the time.
Best wishes, Pete.
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Yes!
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Vot iss los? Der Surgent Poppers Loonley der Hurts Cloob Banden? Gerfukin Krist vee be tinking der ooglyfokkers needen der bothtubben!
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Such a pity I can’t speak German, Phil. š š
Best wishes, Pete.
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A decent assortment of characters. Not so different, certainly not superior to the rest of us with European ancestry. Intresting.
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Only superior in the twisted brains of the Nazis, Pam.
Best wishes, Pete.
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(1) At least they all got off the elephant for the photo.
(2) Simple observations: The girl is happy; the boy is sad. They both wear same or similar shoes and socks. She has bows in her hair; he has a bow tie.
(3) I hope the “smartly-dressed young Jewish man” was smart enough to leave Germany before the rise of the Third Reich.
(4) I hope the young woman with braided hair escaped her air-raided town during the next world war.
(5) That child has obviously outgrown his bicycle. He needs a DKW (and a sidecar for the dog).
(6) At first, I thought the painting depicted the Pilgrims’ landing at Plymouth Rock. But the clothes and the horses shot down that notion. I wonder what event the painting depicts?
(7) Overheard:
Neighboring farmer: “Olly olly oxen free?”
Father: “No, but I can offer you a free cup of coffee.”
(8) The three little pigs discovered that houses made of straw and sticks don’t hold up well, so they hired a bricklayer. Ironically, he hailed from Wolfsburg.
(9) For a nun that’s passing, she looks perfectly healthy and full of life.
(10) A stern man wearing a bow tie? At least he’s decked out in fine clothing.
(11) The boys are undernourished because their plump papa keeps stealing the fries out of their Happy Meal.
(12) A sheep in the countryside with its prize children. (This comment didn’t come as a surprise. Ewe knew.)
(13) They may be immaculately dressed, but those aren’t Syria’s young boys.
(14) There’s something interesting on the clothesline. It looks like a festive sweater for a turkey. Is there a photo of the turkey dressing? I’m hungry for an answer!
(15) Will the farmer reap what he sows?
(16) A young woman was captured at her window. Did the abductor inside the house ever send a ransom note?
(17) The two sisters are fans of Dick Tracy. They’re both wearing a 2-way wrist radio.
(18) That man is not living on the streets. He’s living on the sidewalks (pavements?). In any event, he’s underfed, so there’s no need for him to curb (kerb?) his appetite.
(19) Three young socialites: Magda, Eva, and Zsa Zsa.
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(17) I confess I was intrigued by the objects on their wrists. š
Best wishes, Pete.
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Thank you for sharing. I notice a difference in this photographer’s work and that of the photographers you have published before–more formal. warmest regards, Ed
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The people look different too. Very ‘European’.
Best wishes, Pete.
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That too. Warmest regards, Ed
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Interesting photos.
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I thought so, Molly. They intrigued me, given the time period in Germany.
Best wishes, Pete.
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Thanks for this insight, Pete. Have shared on Twitter.
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Thanks, Stevie. I thought these were very compelling photos.
Best wishes, Pete.
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Some of those kids look like they have already been accepted into the Nazi Youth.
The nun was happy but not too happy. The young Jewish man – makes you want to scream, leave, leave.
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Yes, these images haunt us from the past, Don.
Best wishes, Pete.
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Great pictures. You could make up stories for all of them. Those two skinny boys and their tubby father…something not right there. As someone else commented…wonder what happened to them all.
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They are the kind of photos that get your mind racing. Especially as some were taken after the Nazis came to power in 1933.
Best wishes, Pete.
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Thank you Pete! There’s always something to ponder. I wonder what happened to the modern artist, I wonder why the father looks so well fed and the kids malnourished, I wonder why the street was so utterly isolated except the man, and I wonder why the girl in the window would look in such misery while the portrait was being shot.
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Exactly right, Dorothy. Did the circus troupe survive the war? Did the girl with tight braided hair get married? And how many of those young boys ended up in the Hitler Youth? Ponder away! š
Best wishes, Pete.
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Sometimes it is haunting to look at these images, especially nestled in this time period.
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Since the boys’ heads had been shaved, I thought they might have experienced a recent illness, and the portly man was their doctor.
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That’s a possibility, Liz. Many male children in Germany had very short hair or close-shaved heads at the time though. But I like your theory.
Best wishes, Pete.
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Ah, good scenario!
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Thanks, Dorothy!
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How the heck is that baby riding that bike! š š
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I’m guessing it is August’s own bike, and he propped the baby on it for a fun photo opportunity. š
Best wishes, Pete.
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These are brilliant scenes from an era
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I thought so too. And very different from many photos in England at the time.
Best wishes, Pete.
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Absolutely
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The man in the bowler on the deserted street reminds me if the paintings of RenĆ© Magritte; only the man would probably have an apple in front of his face š Cheers, Jon.
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He doesn’t seem very pleased about having his photo taken, Jon.
Best wishes, Pete.
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Many possibilities for a new story? š
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Nice look into the past….good collection chuq
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Glad you liked them, chuq.
Best wishes, Pete.
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Always when I can see some history chuq
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You wonder what happened to them eh?
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Given the history of Germany and Europe after 1934, I think we can all make some guesses, Gavin.
Best wishes, Pete.
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