Some films about Art

Another film post from 2013 that hardly anyone has seen. This time it is about famous artists whose lives were filmed.

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You know the old  quote, ‘I don’t know much about Art, but I know what I like!’ Well, I only know a bit about Art, but quite a lot about films. Here are some suggestions that manage to combine the two, providing visual delights, exciting action, and some great acting in the process.

Caravaggio. Whatever you think of the controversial English film-maker, Derek Jarman, don’t let it put you off this 1986 work. Despite the quirky additions to the story, ( a typewriter in 17th Century Italy!) strong performances by a very good cast make this well-worth watching. The story of Carvaggio is told both on film, and by his paintings. His love interest, played by a younger Sean Bean, is an integral part of the plot also, with Bean taking hold of the film for the most part, and overshadowing Nigel Terry, in the lead role. What makes it…

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Featured Blogger: Jon Risdon

I am very pleased to help to promote the book of one of our community bloggers, Jon Risdon. It is a biography of his great-uncle, Wilfred Risdon.

Here is Jon’s information about the book.

Black Shirt and Smoking Beagles is the biography of my grand uncle, Wilfred Risdon, who reached the pinnacle of his career as Secretary of the National Anti-Vivisection Society in London, England. He had worked tirelessly to educate people of the fallacious and unnecessary nature of animal experimentation since just before the second world war, using his well-honed talents as a political organiser, a career that was interrupted in 1940 by his incarceration for three months under the hastily-enacted and politically motivated Defence Regulation 18B, a blunt instrument intended to prevent potential ‘fifth columnists’ presenting a danger to an embattled country apparently facing invasion by bloodthirsty Nazi hordes. Despite his close association with Sir Oswald Mosley, which began as far back as 1924, he was a lifelong socialist, but because he was also a deeply religious patriot, he saw no conflict in also supporting a nationalist cause. This book describes Wilfred Risdon’s life & career with a wealth of supporting reference material, and examines a political ethos that all too often is simply whitewashed out of existence or brushed under the carpet: the fundamental underlying economic imperative is especially important today.

This is a link to where you can buy the book.
(Please note, that this is a safe site, despite browser warnings you may see)
http://www.wilfredbooks.co.uk/buy1.html?LMCL=HKHf3g

If you don’t think this is your kind of book, then why not visit Jon’s main blog, and show him some encouragement.
Here’s a link to that.
https://wilfredbooks.wordpress.com/

We all have a book in us

How many times has this been heard over the years? Approaching Retirement, I was often told, ‘now is the time to write that book’. After all, I had led a comparatively exciting working life. Over 20 years in a front line ambulance, followed by more than 10 years behind the scenes working for the Metropolitan Police. I had attended bombings, and major disasters. I had delivered babies, cared for victims of terrible burns and injuries, and ended my working life deploying firearms officers in Central London. There was also the possibility to inject humour, with unusual tales of quirky events, mistakes and errors made, and the strange characters that I had dealt with, or worked alongside. I had travelled a fair bit. What about experiences behind the ‘Iron Curtain’ in Soviet Russia, or visiting East Germany many years before the wall came down?
If this did not provide fertile enough ground for that book, there were always my personal interests. History, Civil Wars, Cameras and Photography, Dickensian London, and the development of weapons through the ages. Maybe I could use my experiences with the Police, to write about modern crime-fighting in the Metropolis? There was always the possibility that my new life in Norfolk would yield great material for a book about the transition from London to the countryside. I would definitely look into it. After all, didn’t my life deserve a printed legacy, or to be available as an electronic download? Surely I too deserved to be in the remainder bins at half price, or in the window of Waterstones as the cheapest of the ‘buy 3 get 1 free offer? Failing all that, I could adapt these experiences and interests, to write a work of fiction, loosely based on something I knew a bit about.

I considered all the options, starting with the obvious. My Life in the Ambulance Service. An interesting read, with a few chuckles, and lots of gasps. From the end of the 1970’s, to the start of the 21st century. Strikes, civil disorder, changes in the NHS, advancements in care, yet the job was essentially the same. There have been a few written already. They didn’t sell well. There was one exception to this, the marvellous ‘Bringing out the dead’, the only work to ever get inside the darker aspects of the job of a Paramedic. Generally though, people don’t want to read the truth about injury and illness. It just isn’t entertaining or informative.
What about Oliver Cromwell and the English Civil War? I have always been interested in that period. I am a member of the Cromwell Association, and I live in East Anglia, so research should be easy. I was forgetting Antonia Fraser. Her definitive biography of the man and his times, as thick as a telephone directory, immaculately researched, and a great read for anyone interested in the subject. No point trying to better that.
Perhaps a crime thriller, drawing on my Police contacts? I remembered the novel ‘By Reason of Insanity’. Probably the best book about a serial killer, and those hunting him, ever written. Then there were the books about forensic detectives, pathologists, or those with a gritty, authentic feel, like the ‘Rebus’ series. Could I do better than all these?

I doubt it.
How about a non-fiction work of importance, say the history of a great city like London? Oops, Peter Ackroyd beat me to that one.
This leaves the fish- out- of- water transition to a strange land, as my best bet. Hang on, am I forgetting Bill Bryson, or ‘A Year in Provence’? My feeble musings on a life in Norfolk are never going to hold a candle to these best sellers.
So, it had to be a well-researched, thought-provoking work about the unhappy lot of the working class in Victorian London. I would start right away. I had the credentials, as I came from the poorest district in South London, Rotherhithe. Nuzzling the south bank of the Thames, this was a place that had changed beyond recognition, from unspeakable slum, it had become a fashionable, dockside development. The docks had closed, and the inhabitants mostly moved away. There had to be some mileage in that surely? No. I had forgotten Charles Dickens, not to mention Mr Ackroyd (again).

My conclusion is that we do not all have a book ‘in us’. Writers and authors have books in them. They get up early, write long and hard. They research, they study, they read other books, and they strive for excellence. They are their own harshest critics, and they give their lives to their work. Families are shunned, homes re-mortgaged, lovers abandoned, luxuries are foregone. They also have good ideas, and act upon them.

The recent meteoric success of ‘Fifty Shades of Grey’ and its sequels, fuelled by social media sites on the Internet, is a good example. Written by a lady who waited until she had seen her family grow, and her career aspirations satisfied, she embarked on her trilogy of lust, bondage and dark love. It has probably made her a fortune, and she has the film rights to come as well.
I could have had that idea. I could imagine sex and bondage, vulnerable females, and a dark central character. It can’t be that difficult can it? But I didn’t have the idea, and if I had, I wouldn’t have acted on it. E. L James had the idea, and she did the work necessary to get it into print. She reaps a just reward, good luck to her. That is the difference between writers and readers. If you want to be a writer, you have to act on those ideas, and be prepared to work hard to make them appear on a page. They don’t always have to be new, but they must catch a mood, and be of their time. Just because you did something interesting, doesn’t necessarily make that thing, or you, interesting as well, when translated to the written page.

Keep reading, and enjoy those books. I choose to stop believing that I have a book ‘in me’. I don’t.