Retro Music 79

This is seriously retro, dating from 1935.

It is my favourite version of the well-known song, and its inclusion in this series was prompted by all the fuss about the recent ‘Blue Moon’ visible around the world. https://www.edp24.co.uk/news/23752197.watch-rare-super-blue-moon-week/

We saw it last night, and it looked like any other full moon, to be honest.

The song was written in 1934, by the famous team of Rodgers and Hart.

Blue moon you saw me standing alone
Without a dream in my heart
Without a love of my own
Blue moon you knew just what I was there for
You heard me saying a prayer for
Someone I really could care for
And then there suddenly appeared before me
The only one my arms will hold
I heard somebody whisper “Please adore me”
And when I looked, the moon had turned to gold
Blue moon
Now I’m no longer alone
Without a dream in my heart
Without a love of my own
And then there suddenly appeared before me
The only one my arms will ever hold
I heard somebody whisper “please adore me”
And when I looked, the moon had turned to gold!
Blue moon!
Now I’m no longer alone
Without a dream in my heart
Without a love of my own
Blue moon
Now I’m no longer alone
Without a dream in my heart
Without a love of my own
Source: Musixmatch
Songwriters: Richard Rodgers / Lorenz Hart

Lyrically Evocative (28)

I wasn’t born until 1952, so a song written in 1935 might be considered to be an unusual inclusion in this series.

But I knew various versions of this song in my early teens, and by the time I was in my mid-thirties, I was certainly relating to every line.

Originally performed on the BBC Radio in 1936, the song was later recorded by the wonderful Billie Holiday, who had a huge hit with it. Although a 1936 recording by the famous ‘Hutch’ also got some attention.

Over the following decades, it was recorded by almost every famous singer you could think of. Including Nat King Cole, Frank Sinatra, and Sam Cooke.
Even now, at the age of 67, it sends shivers up my spine when I hear it.
I have chosen the much later recording by Brian Ferry, from 1973.

His rather melancholy tone, and deliberately stylised rendition, seems to suit the song perfectly.

Here are the lyrics.

Oh! Will you never let me be?
Oh! Will you never set me free?
The ties that bound us
Are still around us
There’s no escape that I can see
And still those little things remain
That bring me happiness or pain
A cigarette that bears a lipstick’s traces
An airline ticket to romantic places
And still my heart has wings
These foolish things remind me of you
A tinkling piano in the next apartment
Those stumbling words that told you what my heart meant
A fair ground’s painted swings
These foolish things remind me of you
You came you saw you conquer’d me
When you did that to me
I knew somehow this had to be
The winds of March that make my heart a dancer
A telephone that rings but who’s to answer?
Oh, how the ghost of you clings!
These foolish things remind me of you
First daffodils and long excited cables
And candle lights on little corner tables
And still my heart has wings
These foolish things remind me of you
The park at evening when the bell has sounded
The “Ile de France” with all the gulls around it
The beauty that is Spring’s
These foolish things remind me of you
How strange how sweet to find you still
These things are dear to me
They seem to bring you near to me
The sigh of midnight trains in empty stations
Silk stockings thrown aside dance invitations
Oh, how the ghost of you clings!
These foolish things remind me of you
Gardenia perfume ling’ring on a pillow
Wild strawb’ries only seven francs a kilo
And still my heart has wings
These foolish things remind me of you
The smile of Garbo and the scent of roses
The waiters whistling as the last bar closes
The song that Crosby sings
These foolish things remind me of you
How strange how sweet to find you still
These things are dear to me
They seem to bring you near to me
The scent of smould’ring leaves, the wail of steamers
Two lovers on the street who walk like dreamers
Oh, how the ghost of you clings!
These foolish things remind me of you

Source: LyricFind
Songwriters: Bob Stanley / Peter Stewart Wiggs / Sarah Cracknell

And here is Bryan, performing the song.

Still heartbreaking.

One Film, Four Versions: Mutiny On The Bounty

In 1962, I was taken by my parents to see a lavish epic at the cinema. Starring Marlon Brando, Trevor Howard, and Richard Harris, this was a glorious tecnicolour film , with exotic south seas locations, and a real sense of history. As it is a true story, there would be no surprises of course, but that didn’t matter. All we had to do was to sit back and let the lavish spectacle wash over us. And we did, and we loved it. My Dad had told me that it was a remake, and he had seen a version made in 1935, starring Clark Gable, with Charles Laughton as the stern Captain Bligh. But I hadn’t seen that one, so was content with the wonderful film I got to see when I was just 10 years old.

Just over five years later, I got the chance to see that earlier film, and thought that Laughton was superb in the role of Bligh. Despite Gable being Gable, I wondered for a long time whether or not I actually preferred the 1935 black and white film.

Much later, I found out that both were remakes. The first version of this story had been made into a film in 1933, called ‘In The Wake Of The Bounty’. Made in Australia, it gave Errol Flynn his first starring role, and is more or less forgotten now. It concerned itself more with the aftermath of the famous mutiny, and the lives of the mutineers. I have never seen it, so will have to exclude it from this comparison.

When I was 32 years old, in 1984, the story got the remake treatment once again, this time called ‘The Bounty’. Anthony Hopkins starred as Bligh, with Mel Gibson as Christian, as well as roles for Laurence Olivier, and Edward Fox. The excellent cast is further enhanced by the presence of Bernard Hill, Phil Davis, Daniel Day-Lewis, and Liam Neeson. I saw a trailer, and liked the look of it, so went off to the cinema to see it. And I was glad I did. Life at sea was convincing, and the relationship between Bligh and Christian better developed. It felt authentic too, especially in the sequences where the ship is having trouble sailing in terrible weather. On this occasion, the casting won through, and I thought the film was excellent, the best version I had seen

Not only was a remake better than the original version I had seen, it was better than no less than three earlier versions. Something very unusual, as far as I am concerned.