The Stranger (1946)
***No spoilers***
There is a free film channel in the UK called ‘Talking Pictures TV’. I recently managed to update my PVR to receive it, and have been enjoying its mix of old British films, and many American classics too.
This film starts with a man on the run. Allowed to escape from a European prison, he is nervous, obviously foreign, and he travels to South America, where he receives information about the location of a man he is desperate to get in contact with. Meanwhile, a team of investigators discuss his actions, hoping he will lead them to someone they are also seeking.
Small town America, 1946. White picket fences, and a place where everybody knows everyone else, and their business too. The war is just over, and people are settling back into the routine of jobs, and everyday life. When an edgy stranger gets off a bus, and goes into the local store that sells everything, he is immediately noticed. But he is also being followed, something he is unaware of. The stranger visits the house of a local College Professor, where he meets the man’s fiance, preparing for her wedding that evening. Unable to wait to see the man he is searching for, he goes off in the direction of the college, and encounters him in the woods.
This is film noir of course, but with a different slant. Nazis fleeing from prosecution, and the organisation determined to root them out. People hiding in plain sight, trusted and accepted by decent Americans living a prosperous and happy life in a town where you can walk home alone at night, and nothing ever happens except the arrival of the bus. A town where people love their dogs, respect the rich, and buy everything from one tiny shop. As the viewer, we readily accept this vision of a cosy utopia. One that is about to be shattered by unexpected events.
What lifts this above so many similar films is immediately obvious. An Oscar-nominated story, and the direction of Orson Welles, who also stars in the film, acting with his usual flair and precision. A dogged turn from a familiar Edward G. Robinson as the investigator, and solid support from Loretta Young, as the young woman deceived. We get an impossibly juvenile Richard Long as her brother, roped in to assist the investigator, and a priceless Billy House, as Mr Potter, the chequers-playing owner of the buy-everything store who sees all.
As you might expect, this is Welles’ film in every respect. His signature monologues dominate the scenes that feature them, and his wry grin pops up at just the right time. Direction is spot on too, from the overviews of the peaceful town, to claustrophobic night scenes in bedrooms and clock towers. Although to modern audiences, this might seem rather overblown, with Loretta Young often descending into melodrama, and the hunt for the elusive Nazis perhaps mirroring the Communist witch-hunts that came later, it is never less than entertaining, often gripping. The tension builds, then settles back into something homely and innocent, before racking up to the startling set-piece climax.
They don’t make them like they used to? They certainly don’t.
This one sounds terrific!
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It’s an American classic, Jennie. And Welles is on top form.
Best wishes, Pete.
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So, where have I been all these years? Ha! Wells is certainly one of the best, so this will be a must watch. Thank you, Pete. Best to you.
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Reblogged this on Die Erste Eslarner Zeitung – Aus und über Eslarn, sowie die bayerisch-tschechische Region!.
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I remember watching this with my dad when I was about twelve or thirteen and really enjoying it. I think I need to rewatch it and I bet Tom will love it as well.😊
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It holds up well enough, Kim. And it’s also a great snapshot of 1940s America, Hollywood -style! 🙂
Best wishes, Pete.
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I have not seen this Orson Welles film but know this film is one of his better ones. Thanks for the reminder.
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Thanks, Cindy. It shows its age, but it is so well made nonetheless.
Best wishes, Pete. x
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I’ll have to put this one on my Wish List. You can’t go wrong with Orson Welles! Also, I get a kick out of the way films were advertised back then.
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The lurid trailer gives some sense of the drama, David. Orson is on good form, as usual.
Best wishes, Pete.
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Sounds like one I’d enjoy. I didn’t know about the free film channel, Talking Pictures. I will investigate.
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It’s on Freeview 81, Mary. The listing is also in the Radio Times, if you read that.
I couldn’t get the channel for ages after it launched, but since the latest retune, I am happy to say it appeared. 🙂
Best wishes, Pete.
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Thanks, Pete. Any retuning in this house will have to be done by the other half. I can just about turn the telly on and find the channel I want to watch.
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🙂 🙂
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It has been awhile, but I remember it well and will want to watch it again.
Thank you, Warmest regards, Theo
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Thanks, Theo. Happy to jog your memory.
Best wishes, Pete.
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This is a brilliant film, one of Welles’s best efforts I think. Eddie G is terrific too. Talking Pictures is a real gem.
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Glad you agree, Maddy. I am finding some good stuff on TPTV.
Best wishes, Pete.
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It’s a great little channel isn’t it! All sorts of gems on there. We didn’t catch this one – I’ll look out for when it comes around again 🙂
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Worth a watch indeed, Sandra,. And a tip for you. ‘Cosh Boy’ is on there tonight, at 11:25 pm. A Lewis Gilbert film that got the first ‘X’ rating in Britain. Classic stuff.
Best wishes, Pete.
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Thanks Pete! 🙂
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What a great film! Orson Welles really was a genius. They DEFINITELY don’t make movies like they used to… Too much flash to cover up too little substance!
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This film almost has it all. How they cram so much into the running time is an object lesson in good cinema. Of course, where Orson is concerned, I am biased. 🙂
Best wishes, Pete.
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Good one! This description of it sent me to my shelves and I discovered I still had The Ultimate Film Noir Collection of DVDs – “The Stranger” is one of the films in this collection! Now I have something else to pack back to Canada and watch during the summer months. Thanks, Pete!
Cheers!
Susan
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I hope that you enjoy it as much as I did, Susan. 🙂
Best wishes, Pete.
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