I went to see this when I was around 15 years old, attracted by the cast, and the reputation of director, Lewis Gilbert. I had never seen the play, nor read the book, so had little idea what to expect. It is often described as a ‘romantic comedy’, but it is far from that, in my opinion. The lighter moments conceal a dark core, with an insight into the ‘Swinging Sixties’ in London, and the treatment of women by some men at the time.
Michael Caine’s career was taking off. After ‘Zulu’, and ‘The Ipcress File’, it seemed he could do no wrong, and he was undoubtedly the perfect choice for the manipulative Londoner Alfie, a man with no conscience. He commands the film in every way, and we feel for him whilst despising his callous actions and selfishness. It was very unusual at the time for the lead character to address the audience so frequently, breaking what is known as ‘The Fourth Wall’. I found that incredibly interesting, and Caine’s natural ease with the process left the audience feeling that he was just chatting to each of us individually.
The story concerns a chauffeur, Alfie, and his various female conquests. This man has no ‘type’ as such, and as long as he can get his way with a woman, he seems not to care too much about her age, appearance, or background. The co-stars who feature as his objects of desire are a mixed bag indeed. Singer and comedian Millicent Martin plays a married woman he abandons, and Julia Foster is ideal as Gilda, the submissive younger girl who adores him, and lets him treat her with no respect. She even bears him a son, though Alfie initially shows little interest in the boy. Vivien Merchant is superb as Lily, an older dowdy woman who falls for his charms, and American audiences are well served by the inclusion of the lively Shelly Winters as Ruby, the only woman who sees through his shallow character, and gets the better of him. Signature sixties girl Jane Asher appears too, as a hitchiker who accepts a lift from Alfie, and becomes his live-in lover.
The tale is not without moral repercussions though, and Alfie’s easy life begins to disintegrate. A chest X-ray reveals a shadow on his lung, and he is forced to take stock. Ruby abandons him for a younger lover, and although he has now become fond of his son, Gilda decides to marry a local bus conductor, who treats her with affection and respect. He discovers Lily is pregnant by him, and afraid to tell her unwell husband. So Alfie arranges an abortion for her, then finds he is badly affected by the outcome, after the event.
This is an excellent film, and a real insight into the 1960s, and the way life was becoming free of so many social restrictions. It crams so much into the 112 minutes, the viewer’s attention never flags. Caine holds everything together perfectly, going from careless cad to selfish worrier with ease. Great location filming in the London of the 1960s is a real treat, and everyone involved hits the mark, in just the right fashion.
(It was remade in 2004, starring Jude Law. Best avoided.)
Love the review Pete and this movie. I agree, this is NOT a romantic comedy. Lily. What a tragic character. How could she fall for Alfie? How could Alfie be so disloyal to his friend? These guys are poison.
LikeLiked by 1 person
I met a few like Alfie over the years, Pam. They never have real friends, just people they use.
Unfortunately, they rarely get their comeuppance.
I thought the wonderful Vivian Merchant was heartbreaking as Lily. Such poignancy.
Best wishes, Pete.
LikeLiked by 1 person
Nice review Pete but I’m going to have to be careful when reading reviews of older films by you. There are some spoilers here. The film is 53 years old but hard to track down. I have seen the remake which covered similar plot developments but its the original I want to see.
LikeLiked by 1 person
I should have stated that ‘Retro Reviews’ often contain spoilers, I suppose.
I (wrongly) assume that most people have seen them. My normal reviews have a ‘no spoilers’ advice at the start, usually.
That said, the style of ‘Alfie’ alone makes it worth watching, whether you know the outcome or not.
Best wishes, Pete.
LikeLiked by 1 person
Something to think of in the future. Who knows maybe I’ve been guilty of the same thing from time to time. Yes I think I will enjoy Alfie very much, Lewis Gilbert what a career.
LikeLiked by 1 person
I can buy a used DVD copy here from Amazon for just 16 p, plus £1.60 post and packing.
Cheaper than a coffee! 🙂 But I checked Amazon Au and it doesn’t appear to be available there.
LikeLiked by 1 person
My wife said she can get it from a university library in a couple of months along with Get Carter. If I get Educating Rita and Mona Lisa I just might be able to do The Seven Ages again.
LikeLiked by 1 person
Get Carter is a great British thriller, and Caine really shows some diversity in Educating Rita. I will look forward to your retrospective, Lloyd.
Best wishes, Pete.
LikeLiked by 1 person
Excellent review Pete.
I agree a very dark (and in these times disturbing) film. Showed the down side to those swinging 60’s! And nobody today would know about a Sanatorium. My late father in law was in one in the early 50’s.
But Caine is a much better actor than given credit for.
LikeLiked by 1 person
Thanks, John. I agree about Caine. Because he took many bad roles for the money, (like The Swarm), people forgot about just how good his natural acting style is. I also love him in ‘The Quiet American’.
Best wishes, Pete.
LikeLike
This is one I’ve yet to see but your review certainly makes it sound like one that I should see.
LikeLiked by 1 person
I think the style makes it worth watching. Alfie talks to the viewer in such a familiar way, and Caine makes that work so well. The story and setting make it interesting from a historical perspective too.
Best wishes, Pete.
LikeLiked by 1 person
Another classic I have missed! For shame, for I love Caine and can’t believe I still haven’t seen his signature role.
LikeLiked by 1 person
Never too late for a British classic, Cindy. Drop a hint to that new husband of yours! 🙂 🙂
Best wishes, Pete. x
LikeLike
I shall, Pete. He suffers from selective hearing, so I reckon it will be how much I push the issue. 😉
LikeLiked by 1 person
Kudos, little old man. (Sorry. I still laugh when I think about that.) You have saved me from having to review this as you’ve captured all of the major talking points perfectly. I have never understood, though, why to this day this is passed off as a “comedy” (being richly imbued with wit only makes the dramatic elements more affecting) as if it would comfortably fit into a double-bill with “The Russians are Coming, The Russians are Coming”? Has Caine ever been better (he wears the role like a second skin)? Perhaps, but if so, that is only a tribute to the depths of his talent when wedded with worthy material.
LikeLiked by 1 person
It is still my favourite Caine performance. I come from the same part of London where he grew up, just a few streets streets away in fact. So his accent was my accent, and that of my friends and family, which endeared me to him from the start.
I don’t get the ‘comedy’ either. I always considered it to be a misguided selling point.
Glad you liked the review, and best wishes from England as always.
Pete.
LikeLiked by 1 person
I have thought about this film a lot of late. More to the point the song: What’s It All About . . .” It has an uncanny application to the news day in and day out.
Warmest regards, Theo
LikeLiked by 1 person
I like the film more than the song, but Bacharach and David certainly knew how to combine on a winning tune.
Best wishes, Pete.
LikeLiked by 1 person
Love Michael Cain….never saw Alfie for it came out when I was in the miltary and just never thought about it but now thanx to you I may watch it….not soon for there is a long list of shows waiting to be watched…LOL chuq
LikeLiked by 1 person
Well worth watching when you get the chance one day, chuq. A look back at a time when equality and political correctness were just ideas…
Best wishes, Pete.
LikeLiked by 1 person
I shall…but don’t know when…I have a huge backlog chuq
LikeLiked by 1 person
This does sound like a great film, Pete!💙 I love watching films that b show you the differences between a time period. It definitely sounds like Alfie experienced some life lessons after his disrespectful ways. I will definitely be putting this movie on my To Be Watched list after reading your fantastic review!💜 I am very much intrigued.💙 I will have to see if they have this movie on Kodi when I get more stable internet service. Thank you so much for sharing this awesome review with us!😀😘💖
LikeLiked by 1 person
A pleasure to introduce you to a British classic, Dani.
I hope that you do get a chance to watch it one day. It is very different to modern films.
Best wishes, Pete. x
LikeLike
Watched it a good few times as it reran on the Beeb, great film, top review as ever.
LikeLiked by 1 person
Thanks, Eddy. Like many films of that era, it has stood the test of time.
Cheers, Pete.
LikeLiked by 1 person
Saw it in theater when it came out Pete. Brilliant! Didn’t bother with the remake. Besties.
LikeLiked by 1 person
Glad you liked it too, Frank.
Best wishes, Pete.
LikeLike
Cool review Pete but now I’ve got Cilla Black and that horrendous song ear-worming me 🤣
LikeLiked by 1 person
Funnily enough, I side-stepped into ‘Step Inside Love’, so have the same problem, with a different song! Cilla has a lot to answer for! 🙂
Best wishes, Pete.
LikeLiked by 1 person
What a wonderful review Pete! I love this movie!😊
LikeLiked by 1 person
Thanks very much, Kim. I am happy that you are a fan of it too.
Best wishes, Pete.
LikeLiked by 1 person
I remember the movie well. I can still hum and sing the song. “What’s it all about, Alfie…”. Yes, it was dark in many ways, but the outstanding cast pulled it off beautifully.
LikeLiked by 1 person
Thanks, Jennie. That theme song was a huge hit indeed. As well as Cilla Black’s version, it was covered by Dionne Warwick, and many others. Written by Bacharach and David of course, so a great pedigree.
Best wishes, Pete.
LikeLiked by 1 person
Very much so.
LikeLiked by 1 person
Fine review Pete. Caine is majorly charming in this.
LikeLiked by 1 person
Thanks, V. I don’t think he was ever bettered as a Cockney chancer. Terence Stamp turned down the part, and suggested Caine. I bet he regretted that. 🙂
LikeLiked by 1 person
Yes, he must have really rued the day he turned it down.
LikeLiked by 1 person
A brilliant theme tune by the saxophonist, Sonny Rollins, though I did read he was difficult from the start, arriving in the London studio. And far worse than the Jude Law remake, in my opinion, was the Alan Price sequel. I think they’ve buried that one though it has appeared on youtube.
LikeLike
The sequel was so bad, I had almost forgotten it. Sadly, it wasn’t completely erased from my memory…
https://www.imdb.com/title/tt0072623/
Best wishes, Pete.
LikeLiked by 1 person
Agreed, in all aspects – including dire remake.
LikeLiked by 1 person
Thanks very much, Pippa.
(Nice to see you. x)
Best wishes, Pete.
LikeLike
I’ve heard about the film, but have never seen it. Another little hole in the fabric of my movie viewing experience.
LikeLiked by 1 person
It is very ‘British’, David. However, I think its message was relevant anywhere.
Best wishes, Pete.
LikeLiked by 1 person
I loved the original. You can not top Michael Caine. As for the remake, never. Few movies are made with originsl content.
LikeLiked by 1 person
Thanks, Roger, I generally avoid all remakes, though some have been good. De Niro was a convincing villain, in the remake of ‘Cape Fear’.
Best wishes, Pete.
LikeLiked by 1 person
Oh, brilliant…and agree the remake would be best avoided
LikeLiked by 1 person
Thanks, Sue. I turned it off after a few minutes. Pointless, and artless.
Best wishes, Pete.
LikeLiked by 1 person
😊
LikeLike