Bird Box (2018)
As I have recently gained access to Netflix, I thought I would try out some of its ‘exclusive’ films. This film has had mixed reviews, mostly bad ones, but I wanted to see for myself. It was free after all, and I could just turn it off if I didn’t like it. I started the film with limited expectations. Never a huge fan of Sandra Bullock, and I have seen almost every ‘Post-Apocalyptic’ thriller going. But John Malkovich was in it, so it had to be worth trying.
The film begins close to the end, and flashes back to how we got there. I don’t mind that construction, though you have to be alert to the words ‘Five years earlier’ appearing on screen. If you turned away as that popped up, it may initially have been a little confusing.
There has been a worldwide disastrous event. People have been ‘seeing something’ and it causes them to immediately commit suicide, in any way available. In the flashback segments (they appear early on, so are not spoilers) we see deliberate car crashes, various people jumping out of windows, and others using everything from guns to solid objects to kill themselves. Most of these are very well done, leaving the viewer shocked and surprised. There is little or no explanation as to what might be causing this phenomenon, but one constant is that people ‘see’ something, and when they do, they kill themselves by using whatever means are available.
Bullock plays the lead role of Malorie, a gifted artist, and a pregnant single mother. After the disaster makes its way to North America, she eventually finds refuge in the home of a man unaffected, discovering a mixed group of other people who are also sheltering there. From this point, the film takes the turn into a familiar ‘siege’ scenario, with the terrified group avoiding contact with outsiders, and bickering among themselves. But we are made aware that people must protect themselves by never looking outside. When they do venture out, they must all wear blindfolds, or cover their eyes. Failure to do this for even the shortest time means that they will see whatever it is people see, and kill themselves seconds later. For our benefit, the action flashes forward five years, so we get to see how Malorie is progressing later on. Then it returns to the dire situation the group finds itself in.
Without any spoilers, that’s more or less all I can say.
I actually liked it! Despite everything I had read that put it down, this film had real tension throughout, and every cast member took it very seriously. The ‘blindfold world’ is a neat idea, and the difficulties of existing when unable to look at anything felt authentic. Set pieces were suitably dramatic, but use of CGI was limited, and that made things feel ‘real’. Deciding not to show ‘the monsters’, was a solid choice, leaving us with a sense of unease about what could actually be out there. In fact, we could make up our own ideas about the unseen force that is attacking mankind. Bullock was intense, but she always is. Malkovich was great, just being his usual villainous self, and everyone else seemed to fit in nicely. British actor Tom Hollander relished his short but very effective role, lifting the latter segment of the film completely. As Sandra is fifty years old, choosing her to play a first-time mum was a bit of a stretch, but so what.
And the Bird Box of the title? They discover that birds sense the presence of the ‘monsters’. By keeping them close, in a small box, their agitated cheeping gives early warning of impending disaster. Not unlike taking canaries down a mine. Nice touch.